Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Wednesday, March 26, 2014

Knox Ketchum & Slicka Slim - "95" [prod. by Pug]

March 26, 1987 Marked The Birth Of An Icon





On this day back on March 26, 1987 Nike released the orginal Air Max, which made the invisible visible like never before. Twenty-seven years later, the revolution continues. Celebrate the birthday of this iconic shoe by wearing your Air Max and share it using #AIRMAX...the above visual is from an Air Max exhibiton that was held in London back in November, 2013. Happy Birthday Air Max. Back on this date in 87 I was a senior in high school preparing for prom and graduation soon after, lol.

Tuesday, March 25, 2014

X-Men: Days of Future Past | Official Trailer 2 [HD] | 20th Century FOX

JAY ELECTRONICA x JAY Z - We Made It (Freestyle)


Jay Electronica emerges from his slumber and jumps on the Drake instrumental with some Jay Z assistance.  Stream & Download the track below!!!


Monday, March 24, 2014

ChaseLawyers On Breaking Into The Music Industry: Work for Hire Agreements

 

Today’s Topic: “Work-For-Hire” Agreements

 
According to the United States Copyright Act [17 USC Sec. 102], an author enjoys copyright protection as soon as he/she “fixes” his/her original work in a “tangible medium of expression” (for example by writing it down or recording it). The same principle applies, however, for independent contractors (artists, back-up musicians, back-up vocalists, etc.) who are hired to contribute to larger productions. What does that mean? Well, artists, that means that even though you pay the back-up singers on your tracks, or the graphic designers, video editors, and web developers to help package your branding tools, each contributor continues to have ownership in whatever original work they’ve created. Just because you’ve paid for a service does not mean that you own the product or the money you make from it (what we lawyers call “results and proceeds”)!

We imagine at this point that you’ve probably become concerned about how you can own all of the content on your tracks – unless you do everything yourself.

Well, fret not- Work-For-Hire Agreements remedy that exact predicament.

Work-For-Hires will allow for anybody else’s work to be treated as if it were “authored” by the hiring party. In other words, where a true employer-employee relationship does not exist (which it almost never does in music), this document will secure ownership in intellectual property for the hiring party. What is more, a thorough Work-for-Hire Agreement (which are usually only one page) will have a catchall clause that transfers ownership even if the actual content-at-issue does not fit neatly within the Copyright Act’s definition of “works-made-for-hire.” Thus, a well-drafted Agreement works on two fronts, providing both “belt and suspenders.”

As a practical matter, Work-For-Hires ensure a clear “chain of title” for the hiring party, and minimize that party’s exposure to liability from other creative people; the latter will not be able to sue the hiring party for additional compensation or control of the work-at-issue, because the latter will have no legal “ownership” of that work. Finally, a Work-for-Hire will clearly delineate how the creative contributor will be compensated. One single-page document can make things that much easier and clearer.

Artists, please consider these Agreements seriously in moving forward with your creative endeavors. They are a cheap, excellent means of preempting very expensive problems down the line.

By: Barry Chase, Greg Bloom, and Michael Epstein.

Entertainment Attorneys at ChaseLawyers.

Miami : 305-373-7665 | New York City: 212-601-2762


© 2014 ChaseLawyers

Friday, March 21, 2014

Trina - Money Ain't A Problem (Official Video)

Thursday, March 20, 2014

Jay Electronica - better in tune w the infinite ft. LaTonya Givens


Like a rare comet..here comes a track from Jay Electronica entitled "better in tune w the infinite" featuring LaTonya Givens...Stream & Download the track below!!!


Tuesday, March 18, 2014

Daffodils & Dandelions- Official Short Film

The Notorious BIG x James McDurt - The Brooklyn Way


Diamond Media 360 sends The Brooklyn Way, a nine track FreEP by Dutch producer James McDurt, that encapsulates some of the best tracks from the late Notorious B.I.G.'s catalogue.

Video: Stalley - Midwest Blues


MMG artist Stalley sends the visual "Midwest Blues", produced by Blue Collar Gang's own Black Diamond. The video is directed by MMG's own Jon J.


Monday, March 17, 2014

Inkrediflow & Taczilla (Tacaloc) - Gumbeaux Pot [Official Music Video]

Tuesday, March 11, 2014

Video: Lil Boosie Speaks Press Conference


A few days ago the international hood legend and rap artist Lil Boosie was released from prison, for those that missed it...here's video of the live press conference, moderated by The Breakfast Club's Angela Yee.

Via UStream TV


Video streaming by Ustream

The 2015 Budget Whiteboard


Via WhiteHouse.gov In case you missed it, the President released his Fiscal Year 2015 budget last week.

Brian Deese, Deputy Director of the Office of Management and Budget, is pretty handy with a dry-erase marker, and he took some time to sketch out the nuts and bolts of the President's budget.

Want a better sense of exactly what's in the budget? You should probably watch this whiteboard video.


Want to know how the President's budget will continue to steadily bring down the deficit for the next ten years? You should watch this whiteboard.

Monday, March 10, 2014

J.Reu - FUCK MOLLY (Official Video)



Fxck Fame Music Group's Hip-Hop Recording Artist J.Reu releases the highly anticipated visual for his controversial underground hit "Fuck Molly." To a first time listener, it may sound like J. Reu is making an anti drug statement, or PSA against the chemical mind fuck known as "Molly;" but when you watch the video, you see he's saying so much more. Film The Vision Productions and TDF Media Group offer a subtle, but potent visual message, that seems to at time get lost in the mainstream nutria rat race: Don't Sell Out! This is just my POV on the issue so don't quote me as saying that this is actually what their concept or message is. J.Reu does however provide an acronym in addition to flowing about thirst, and a lack of creativity in hip hop. He details, M.O.L.L.Y. (Mother of Lame Lyrical Youth) with a suggestion to novice rap hopefuls to get their bars up, and stay true to self. Connect with J.Reu and Fxck Fame Music Group for media updates and information. Official interview coming soon. 

Thursday, March 6, 2014

0017th BlackMan

Dee-1 - Accountability Partner [Official Video]

Wednesday, March 5, 2014

Lyriqs Da Lyraciss - High Heels


J. Good of Str8OutDaDen.com sends the track "High Heels" by New Orleans emcee Lyriqs Da Lyraciss, the latest release from his D.A.I.Y.L.F. album. The track is produced by QKnox.  Stream the track below and enjoy!!!


Schoolboy Q’s ‘Oxymoron’ Tops Charts


TDE artist Schoolboy Q is on top of the Billboard charts with an estimated 138,517 in first weeks sales of his album "Oxymoron"...Congrats to the Man of The Year!!!


Monday, March 3, 2014

J. Rizzle Presents...Don Trip - Randy Savage (Chopped & Screwed)


Don Trip's mixtape Randy Savage (Chopped & Screwed) by me.

***R.I.P. DJ Screw**

***For Promotional Use Only***

Tracklist

01. J. Rizzle Intro
02. Randy Savage Entrance
03. Still In The Trap Ft. Juicy J
04. Mojo Jojo
05. Road Warriors Ft. Starlito
06. God Speed
07. New Blinds Ft. Young Dolph
08. Cream Of The Crop
09. Neil Armstrong
10. Proof
11. Macho Madness