Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Artist Driven Underground

No apps, No downloads, ...listen directly from your phone or computer.

Showing posts with label Black History. Show all posts
Showing posts with label Black History. Show all posts

Tuesday, February 4, 2014

Video: Wes Montgomery - Live in '65 - Full Concert


In honor of Black History month Mixtape108.com shares with the masses this 1965 concert of the legendary jazz musician Wes Montgomery.... Wes was popularly known for his unique guitar playing skills. Truly one of the most memorable guitarists of all time.

Wes Montgomery, whose real name was John Leslie Montgomery was born on March 6, 1923 in Indianapolis, Indiana, U.S. This is the same place he died due to a heart attack on June 15, 1968. Wes Montgomery was influenced in music early on. He came from a family of jazz performers and instrumentalists. His brother Monk played electric bass and string bass, while Buddy played piano and vibraphone. What about Wes? He decided to play guitar in his teen years.

Wes wasn’t fond of reading music. Instead, he preferred to learn melodies and riffs through hearing. When he started playing the guitar, his inspiration was Charlie Christian; he was Wes’ idol. Wes listened to his recordings and learned from them.

Wes Montgomery used different techniques in playing the guitar. The first was using octaves. This is a technique where you play the same note on two strings but it’s an octave apart. Wes was very much known for this technique. Another technique Wes was known for was called the single-line or single-note. And also, his block chord soloing.

His ability to play these techniques has something to do with how he plucked the strings of his guitar. Just so you know, Wes didn’t use any guitar picks. Rather, he used a fleshy part of his thumb to create the unique sound. What Wes did was use down strokes for the single notes and then use a mix of up strokes and down strokes for the octave and block chords.

Such techniques allowed Wes to create music that was mellow and very expressive (in his own way). Wes said in his Ultimate Wes Montgomery album that he had a corn on his thumb which enabled him to play that way and create the unique sounds. This is the major reason why no one can do what Wes did. And to top it all off, Wes’ thumb was double-jointed.



Wes’ career started around July 1948 when he started touring with Lionel Hampton’s orchestra. He toured with them for two years. By 1950, Wes returned to Indianapolis and stopped recording until 1957. But in December 1957, he joined a session with his brothers and Freddie Hubbard. The group released several recordings from 1957 to 1959.

From 1959, Wes moved to Riverside Records label and recorded for them until 1963. His records during this time were received by his fans very well. According to jazz historians, these records were his most influential and best ones. In 1960, Wes released the album The Incredible Jazz Guitar of Wes Montgomery, where he played together with Albert “Tootie” Heath, Percy Heath and Tommy Flanagan. This album featured one of his best compositions, Four on Six. During his time with Riverside Records label, Wes always played with a quartet or quintet. They played ballads and up tempo jazz.



Source: Learn Guitar 2

Kenny Washington: First African American NFL Contract Player


Kenny Washington (1918-1971)
First African American NFL Contract Player, Halfback for Los Angeles Rams

Before being the first African American Football player to sign an NFL contract in 1946, Kenny Washington teamed up with Jackie Robinson (an avid football player as well as baseball), Woody Strode, and a fourth unknown black player to dominate UCLA's 1939 team. He was so skilled in the game and played so well that he became the first African American player to be named All-American. Despite this, he did not receive all of the awards he should have been entitled to because of his skin color. This caused outrage within the community and among the nation Black press. When the NFL first failed to sign him, he didn't let it hinder his performance and was still determined to be seen. He became the star of two professional minor leagues before finally being extended the draft into the NFL.

There is a day and trophy named in honor of Kenny and to highlight his everlasting presence, Tony Rosas (the 1962 winner of the award) shared, "When you play football here, you know you're after his trophy." Rosas called Washington a hero even though he, himself, was a wounded Vietnam War veteran.

What ground breaking athlete do you think of who has broken through the barrier of racism in modern times?



Source: Jimmy Jazz, Ashli Prescott, USA Today

Tuesday, January 7, 2014

Google Doodle Honors Zora Neale Hurston, Black Cultural Giant


Today’s Google Doodle honors the American novelist, activist and anthropologist Zora Neale Hurston, who was born on Jan. 7, 1891.



Via TIME NewsFeed:

Born in Alabama and raised in Florida, Hurston would become of the most influential black authors of the twentieth century, mingling in circles of the Harlem Renaissance and influencing generations to come. TIME included her among 50 cultural giants in African-American history, and her 1937 novel, Their Eyes Were Watching God, which starkly portrays the life of a black woman in early twentieth century Florida, is often cited as one of the top novels of the last century.

“This is the great tale of black female survival in a world beset by bad weather and bad men,” TIME wrote about the novel in 2010, in its list of the 100 best English-language novels. “Her succulent book has its stretches of overripe prose, but that’s the price of taking the chances she takes with language, chances you have to take to arrive at the witchy places she gets to. (Sizing up her third husband, Tea Cake, she notices “his lashes curling sharply like drawn scimitars.”) It’s a short book, but you savor it.”

Hurston’s work included four novels, dozens of short stories, plays and essays, and two books of folklore based on her anthropological research that captured some of the oral history of African Americans.

“I have the nerve to walk my own way, however hard, in my search for reality, rather than climb upon the rattling wagon of wishful illusions,” she once wrote.

Hurston died in Florida in 1960.